jay rechsteiner

Exhibition / Basel, Switzerland / 2012

How to Make a Monster

15 September to 4 October 2012 · High Voltage, Markthalle Basel, Zelle 40D, Viaduktstrasse 10, Basel

How to Make a Monster was an exhibition initiated by Jay Rechsteiner and presented at High Voltage in Basel, organised by Monsters in Law / Nora Donner. The group exhibition brought together Tarek Abu Hageb, Eddie Hara and Jay Rechsteiner.

The project explored how an individual comes to be seen, or to see themselves, as a “monster”. Rather than treating monstrosity as a fixed identity, the works examine the roles of childhood, isolation, social expectations, images and experiences of violence. They move between autobiography and wider questions about how societies produce and recognise the figures they fear.

How to Make a Monster, installation in progress
Installation in progress. The original archive includes a larger photograph.

Exhibition statement

For me, a monster is not only a person who threatens others. It can also be a feared future, an abandoned ambition, an idea or the distance between the person one imagined becoming and the person one has become.

The exhibition considers the making of a monster as a process. Experiences accumulate, and each encounter is followed by a response. Over time, these layers produce the outward image by which someone is recognised and judged. To understand that image, we have to look at its history rather than simply accepting its appearance.

Isolation is a recurring concern in the work, whether produced by exclusion, aggression, disappointment or the pressure to live according to accepted models of success and behaviour. The pieces use different forms, including painting, sculpture, printed matter, photography and video, to approach these questions from different directions.

The project also arose from a concern with artistic self-censorship. I wanted to resist the temptation to make work cautiously, always anticipating how it might be received or which doors it might open or close.

Works and documentation

I AM ALONE

Wall installation spelling I AM ALONE using QR codes

A wall text built from QR codes that originally revealed images of people associated with acts of violence and authoritarian power. The work examines isolation and the construction of the figure of the monster.

View the work and documentation

Monster Press

Monster Press exhibited in Basel

Twelve fictional magazine covers adopt the visual language of popular publishing to examine how media and gossip help construct our understanding of other people.

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The Easter Bunny that liked to Watch Steven Segal Movies

Chocolate-covered Easter Bunny sculpture

A chocolate-covered bunny watches a Ninja Crash Course. Childhood fantasies of becoming a hero are entangled with images of violence and the slow physical transformation of the sculpture.

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My Photo Album

My Photo Album, printed book

A book of personal photographs and images of influential people that traces the artist’s own, deliberately provocative account of becoming a monster.

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Monster Boy

Monster Boy acrylic painting

Acrylic paintings and altered family photographs depicting childhood and adulthood beneath a metaphorical “monster hat”, a symbol of the pressure to conform.

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Getting Stronger Everyday

Getting Stronger Everyday, large wall installation

A large wall installation made from printed and cut-out images that reflects on the influence of media imagery during childhood.

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Golden Boy

Also listed as Golden Boy or Kaufmich in the original exhibition documentation.

A sculpture made from a mannequin and a paper bag.

Golden Boy, sculpture made from a mannequin and paper bag

Fists

Graphite drawing on the wall, made collaboratively by Tarek Abu Hageb, Nora Donner and Jay Rechsteiner. The idea was Tarek Abu Hageb’s.

Fists, collaborative graphite wall drawing

War drawings

Drawing battles in which participants work on opposing sides of a sheet of paper, ending only when they choose to stop. The archive includes a battle with Matthew Knight and three battles with Chiara Williams, the latter documented in London in June 2013.

The 2013 drawings are presented as related later work, not as documentation of the 2012 Basel exhibition.

View War drawings and videos

The original exhibition programme also referred to a work titled machine, explicitly marked as not included in the exhibition. It is not presented here as an exhibited work.

Exhibition details

First instalment of How to Make a Monster at High Voltage, Basel, Switzerland. Organised by Monsters in Law / Nora Donner. Group exhibition with Tarek Abu Hageb, Eddie Hara and Jay Rechsteiner. The original programme also listed an afterparty at FAKT bar with Reverend Beat Man & Bikini Girls.

Historical exhibition documentation. Links to the discontinued project website and obsolete Flash material have been removed.